IMDb Rating: 7.1/10
Genre: Drama, Romance
Director: Baljit Singh Chaddha
Release Date: 14 February 2021
Star Cast: Riddhi Dogra, Monica Dogra, Imaaduddin Shah
Movie Story: A wife, a mom, a teacher, a homemaker, she’s played all the roles, but what about being true to herself? Being Astha? Be a part of Astha’s journey as she breaks boundaries, set by society, to find herself.
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The Married Woman’ spins around a school educator Astha, who is an ideal spouse, little girl in-law, and an ideal mother; who has everything a lady can trust from her marriage—a reliable husband, genial parents in law, and two kids, yet she feels deficient as a person. Breaking the cultural standards, she sets out on an excursion of self-disclosure. On her central goal, she meets a free-disapproved of soul, Peeplika, who helps Astha track down her actual self. En route, Astha falls head over heels in adoration with Peeplika regardless of being hitched to Hemant (Suhaas Ahuja). However, can she break all limits on her way to self-disclosure?
In view of Manju Kapur’s tale ‘A Married Woman’, this 11-section arrangement is coordinated by Sahir Raza. With the setting of a strained circumstance because of mutual uproars, the show tends to various subjects like same-sex love, ladies caught in relationships, male centric society and other social and sex gives that are as yet thought to be untouchable in our general public. The scholars (Jaya Misra, Aparna Nadig and Surabhi Saral) have made an exemplary showing in taking care of Astha’s feelings with such a lot of affectability. The exchanges—”become hopelessly enamored with a spirit, not the sex”, “Love is past independence and molding”— are effective. Notwithstanding, it is a lethargic burner which is very frustrating and watchers regularly think that its a battle to remain associated with the plot. Additionally, Astha’s prompt preferring and solid energetic emotions towards Peeplika look very unconvincing and unnatural.
The verses of the title track ‘Bematlab’ by Amrita Bagchi is very elegantly composed. It upgrades the effect of the plot, particularly when it is utilized as a foundation score.
Ridhi Dogra as Astha is sensibly noteworthy. She consistently slips into her character and passes on her feelings as a lady who is careful to communicate her cravings, yet not willing to smother them any longer. Additionally, the breaking-the-fourth-divider style of portrayal suitably offers voice to her considerations and renders an unmistakable picture to the crowd. With a mix of significance and exotic nature, Monica Dogra has had her influence well. From among the remainder of the cast, Suhaas Ahuja makes a fine showing as a man centric husband who excuses his companion’s sentiments. Imaad Shah is stiff-necked and exceptionally obstinate as a scholarly human with liberal reasoning.
All said, ‘The Married Woman’ takes too long to even think about coming to its meaningful conclusion heard yet the exhibitions hold your consideration all through.
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