IMDb Rating: 5.1/10
Genre: Drama, Romance
Director: Nag Ashwin
Release Date: 19 February 2021
Star Cast: Lakshmi Manchu, Saanve Meghna, Abhay Bethiganti
Movie Story: Four different women, four journeys of love and betrayal. The common thread? They all want to dismantle the patriarchy.
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Review: Hindi film had Lust Stories and Ghost Stories, Tamil film had Paava Kadhaigal and Putham Pudhu Kaalai lastly, Telugu film adventures out to the space where different chiefs recount short stories dependent on a solitary subject with Pitta Kathalu. The magnificence of such a venture lies in the way that it gives ‘business’ movie producers and entertainers the degree to move past the limits of a dramatic delivery, with regards to narrating and arrange.
Pitta Kathalu starts with Tharun Bhascker’s basic yet captivating story Ramula that recounts the romantic tale of Ramula (Saanve Meghana) and Ram Chander (Abhay Bethiganti). As an expansion of the universe the chief worked for his short film Sainma, the story perceives how a ‘brakkappp’ prompts Women Council President Swaroopa Akka (Lakshmi Manchu) hoping to utilize the circumstance for her potential benefit. In any case, it’s not without cause; all she needs is to be dealt with equivalent to the male partners in the ideological group she’s important for.
Nandini Reddy’s Meera makes you awkward consistently. Vishwa (Jagapathi Babu) is hitched to Meera (Amala Paul), a lady who’s a lot more youthful than him. While they seem like the ideal force couple on a superficial level, their relationship is spoiling ceaselessly under since nine long years. Sankalp Reddy’s Pinky likewise addresses the idea of blemished connections. Pinky (Eesha Rebba) is in a miserable marriage with Harsha (Srinivasa Avasarala) while Vivek (Satyadev) is hitched to Indu (Ashima Narwal). How their lives cross structures the story.
Bother Ashwin anyway takes the stage he has been given with xLife to make a social editorial bigger than simply relational connections. Vik otherwise known as Vikram Ramaswamy (Sanjith Hegde) is the author of an augmented experience stage that matches up to the cortex and causes you become mixed up ideally, in contrast to the one consuming actually. He fancies the hesitant Divya (Shruti Haasan), who feels thankful to be his maid in trouble.
The most grounded story in the compilation, surely, must be Tharun Bhascker’s. The chief dominates at the world he has made, capably helped by Saanve, Abhay and Lakshmi Manchu’s exhibitions, aside from Niketh Bommi’s visuals and Vivek Sagar’s music. The threesome empty life into their characters and the film goes from funny to dull genuine speedy. Nandini Reddy’s section wallows somewhat because of created composing. Jagapathi Babu and Amala pull off their jobs well, with the last getting the chance with two hands and giving it her everything, the supporting cast makes a decent attempt. That finishing conveys however, so does the way that Nandini dives on a lesser spoken subject – conjugal assault.
Sankalp Reddy’s story is about things that are left implied than the ones that are said on-screen. Most fragile when contrasted with rest of the narratives in the compilation, he actually figures out how to keep one locked in. Also, in the center of all that show encompassing individual connections, Nag Ashwin goes past and conveys a story that makes you question the amount of a shelter innovation truly is. Sanjith (shockingly) sparkles in this one, he’s easy, so is Shruti. Likewise notice, how his fragment is the just a single not named after the lady in the story, since that is not the relationship it’s investigating.
While one needs to look through elusive blemish in Tharun’s country story, Nandini, Nag Ashwin and Sankalp’s metropolitan stories in Pitta Kathalu are not without imperfections. Consistency frequents all the accounts somewhat, yet what is important is the manner by which the chiefs figure out how to pull it off. It is unquestionably reviving to see Telugu film tell stories of genuine, harmed connections (and ladies) on screen without judgment. Check this one out this end of the week!
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